Note: The title hooked me, if for nothing other than it’s basically my two favourite things, but it’s the second stanza in particular that had me falling in love. The imagery, the internal rhyme (the littering of which throughout I enjoy), and passion it lends the rest of the poem… I admit, if I had read no more than this I would have already fallen hard for the piece. The third stanza simply continued this, and the emotions were more than flowing, but the ending -oh, if only every piece I read ended as well as this, I might never be lost for beauty again.
This is, by far, my favourite poem I’ve read to date.
messagestothemoon:
Wrap me in moonbeams
And squeeze your smile
In between the spaces
Of those heavenly strips
Of light- I don’t know
Which will be brighter.
Hold me like a feather quill
Shivering among quivering
Fingers as you write out
What it means to make love-
The lull of your lungs as you
Search for your breath is
More poetry than any lines.
Store me in the silence of
Nights you spent bent by
The stars when life seemed
Spent in its hours and nothing
Made sense anymore. I will
Find the little boy crying in
Your eyes, and point him
Towards a moon that was
Full even in its crescents
Incomplete as a smile.
Play me like piano keys in the
Falling tear drops of down town
New York, and let me be your
Music. There is no song that
Could escape my lips to make
Melodies holier than that of your
Heartbeat, but as the rain laps
And the thunder claps, the elec-
tricity in my soul will be enough
To make broken parts more whole.
And when we wake to a world
Scattered in the swirl of two
Tunes that fused mid-turn on
The corner of life and tragedy,
There will be no songbird more
Beautiful than the smile in your
Eyes as the thunder taps at the
Wonder of the way you hold this
Broken girl, and write her keyboards
Into typewriters, making beauty
Through words that never kissed
Skin more thirsty than hers.
Note: This tells me that, without a doubt, you don’t need more than a sentence to say something raw, something powerful, something deeply personal, and wonderfully brilliant. It’s almost as though it could be poetry, but it isn’t, nor does it need to be.
I’m almost in love with ‘single-sentence prose’.
cryptic-myths:
We climbed hills and tumbled back down for the thrill and the broken bones.
Dice Poetry
Note: I really liked the structure of this piece, incorporating the sides of a die both as a way of dividing between different images, different components, and as a way of combining and integrating each part. The idea of a die itself in poetry was interesting, and I loved the way the piece is put together as a whole. When it comes to poetry, I definitely wouldn’t be ‘cashing out’ if I was writing as well as this.
matt-is-just-around-the-corner:
One
moment stands
between steadfast
hopes and dwindling
dreams from
Two
simple wishes
paved out with
the best of intentions
Three
years is what it took
to shake out
past nightmares
burying
Four
memories
laid to rest six feet
below the ground
counting
Five
times the clock
stops ticking
and hearts
stops beating
playing out
Six
words that echoes
in my mind, when
time stays
still:
“Dear, I love you very much”
Dear I am not
sorry for rolling
the dice,
the dealer
has dealt out our
fate.
Its time to cash out.
Note: Writing about writing is often bland, and it’s ridiculously overworked by most. The imagery surrounding talk of simile and metaphor is done in a way that I’ve never been so pleased to see before, and the last four lines…
I didn’t just ‘like’ this piece. How could just ‘like’ a piece like this? I love it.
messagestothemoon:
My fingers are heavy. They are dead weight of all the words pushing at my prints, aching to be set free, but not knowing how. You can see similes and soliloquies skirting to the edge, waiting for a release, and upon failure, soaking back into my bloodstream and circulating again. I am a cycle no child can ever learn how to ride.
These words- they are more than twenty-six scribbles splattered between white spaces. In the tilt and turn of each jagged curve, and every straight line, rests a story, a person, an entity. Breathing, deep and slow in the womb of our ink, sleeping, stirring in the lull of its own beauty. And every time one makes it to the page, diffuses out of our pores and into the abyss of white and light waiting to embrace its fibers, we lose a part of ourselves. And the miracle of it is, that by shedding that skin, by letting go of a piece of our soul; we become more whole. And sometimes, the magic woven into its threads, carries it upward to the eyes of someone dangling off the other edge of the world, and seeps into their existence.
These things- these scribbles and spaces and sentences. They can save you. And if there’s anything holier, I haven’t found it yet. This cycle inside of me- it is something I will never regret.
Note: I’m not the biggest fan of rhyming couplets, usually, but I really like it here. The imagery in the piece isn’t glaringly obvious, but it’s there, and the subtly of it lends the piece just that extra bit of depth. This is, of course, to say nothing of the message of the piece itself.
ishouldgetpaidforthis:
It seems every day I’m dragging a weight,
I stretch myself thinner, ‘till I merely abate.
I’m not even a man yet, but already I’m aged
As I look in reflections of dull eyes and greys.
I could have sworn that I perished the other night,
And I kept up the illusion ‘till the midday light.
The sun was at it’s highest peak, as in every other day
As I’m sprawled on the ground for the vultures to take away.
And there’s no use dwelling on mistakes, they say,
But I’m running out of ways I can break away.